The Existence of Evil and the Threat of Science - 1650 Words

The Existence of Evil and the Threat of Science (Term Paper Sample) Content: Name:Instructor:Subject:Date:The Existence of Evil and the Threat of Science in Mary Shelleys FrankensteinMary Shelleys Frankenstein is a gothic narrative that portrays the destructive nature of modern knowledge, especially when it is pursued without moral restraints. The creation of the monster by Victor Frankenstein illustrates the destructive powers of unlimited knowledge in the hands of individuals obsessed with scientific adventure and new discoveries. Although the novel is written in the context of early 19th century Europe when horror tales of mythic figures such as ogres and monsters were common elements of Victorian literature, Frankenstein mirrors the modern society in terms of its obsession with science and technology. In addition, the novel portrays mankinds morally rotten condition by alluding to the fall of Adam and the origin of sin. At the same time, Frankensteins monster draws a parallel with Satans rebellion against his creator. The novel raises a p hilosophical question on Satans justification to rebel against God. In consistence with gothic tales and visual portrayal of the devil, Satan is presented as an ugly creature like the monster that Frankenstein created. It is possible, therefore, that his evil nature is in agreement with the way God created or intended him to exist. Consequently, Satan is viewed as a victim of Gods plans rather than a villain, just as the monster is a victim of negligence by his creator and exclusion from mainstream society. Of particular interests, however, is the possible allusion to the fall of Adam from Gods favor and subsequent banishment from the Garden of Eden, which implies that the misery mankind suffers today, is a consequence of negligence by his creator. This is symbolized by the monsters metamorphosis into a killer as a result of being neglected and despised by society. This logic justifies the existence of evil in two ways. First, the commission of evil is mankinds way of rebelling agai nst his creator, a protestation against abandonment. Secondly, the novel implies that man is not evil by nature, but a victim of circumstances beyond his control. He is forced to do evil by the hardships he suffer; hunger, disease, natural calamities, and death. These are the evils that corrupt mans character in the same way loneliness and exclusion from mainstream society transformed Victor Frankensteins creation into a cruel monster. In this regard, this essay discusses two major themes in the novel that portray the condition of society today. First, it argues for Gods culpability for the existence of evil and suffering that afflicts society. Secondly, it argues that Shelleys Frankenstein is a portrayal of the doomed fate of modern societys pursuit of scientific discoveries and new technological inventions. Victor Frankensteins obsessive desire to discover the secret of life and create a human-like functioning creature portrays societys clamor for new technological inventions by r elentlessly applying science to develop weapons of mass destruction and experiment with robots. However, Shelley warns, these efforts are doomed to backfire and create more misery for mankind.The possible culpability of God in the existence of evil and suffering in society is captured on the novels title page, where the monster bemoans his miserable condition by questioning Frankensteins decision to create him in the first place. Borrowed from John Miltons Paradise Lost, the monster conceives of himself as sharing the same fate with Adam and Satan; all are tragic figures who have been forced by their creators to survive under miserable and unendurable conditions. Despite his efforts at kindness and gentleness, the monster is shunned by his creator in the same way God abandoned Satan and Adam to the forces of evil. Consequently, the monsters harboring of ill will toward Victor is justified by this abandonment and exclusion from society. Eventually, the monster is forced to become a cruel killer by a society that is hostile to and un-accommodative of his ugly appearance. Perhaps as a justification of his evil deeds, the monster asks his creator:Did I request thee, Maker, from my clay To mould me Man, did I solicit thee From darkness to promote me? (Shelley 1869).These lines correspond with the young Frankenstein's dream of scientific glory and Gods decision to create an archangel to serve under him, both of which backfired. Frankensteins desire to discover the secrets of life and see light and fire prompted him to create a monster that will eventually get out of control and turn against him. Likewise, Gods plan to create an archangel backfired when Lucifer rebelled against his master and became his number one enemy. Accordingly, Satan is perhaps taunting God for being angry with his evil ways. Satan could be telling God that he (God) is to blame for everything that went wrong because he created a creature and then endowed it with the potential to commit evil. Frankenstein's monster reveals the same sentiments when he recounts the miserable conditions under which he was forced to live. He mourns that I, the miserable and the abandoned, am an abortion, to be spurned at, and kicked, and trampled on (Shelley 188). Thus, he shares the same fate with Satan upon his expulsion from heaven. What course could such a creature take other than seeking revenge against those responsible for his miserable existence? This logic provides a basis for interpreting Shelleys as a justification of immorality in society. Shelley seems to place the existence of sin at Gods doorstep. This is because the text presents evil and suffering as part of divine design; they happen either because God allow them to or because he places man is such difficult conditions that he must do evil to survive. The existence of poverty, diseases, natural disasters and hunger provide mankind with acceptable reasons to defy any laws proclaimed by his creator. In Shelleys view, the rel ationship between man and God should proceed along the lines of the social contract theory, whereby man desists from evil as long as God protects him from suffering. The fact that there is so much suffering in society nullifies mans obligation to live according to the will of his creator. The monsters rebellion against Frankenstein-his failure to live up to his creators expectations, is justified under these grounds; after completing his task of creating the monster, he abandoned him to be spurned at, and kicked, and trampled on (Shelley 188). Likewise, God abandoned mankind to suffer and live in misery after banishing Adam and Eve from the Garden of Eden. In this light, Shelley advances the idea that God, by virtue of being the Creator, is responsible for the evil, misery and suffering humanity experiences. Consequently, man has every reason to ask God whether he requested Him, his Maker, to mould me Man, did I solicit thee, from darkness to promote me? (Shelley 1869). Accordingly, man is not responsible to any one, least of all his Creator, to live in accordance with any divine laws. If evil exists, it is Gods problem because he created the conditions that prompt man to break rules. The second theme that Shelley advances is the idea that there is a limit to useful knowledge. ... The Existence of Evil and the Threat of Science - 1650 Words The Existence of Evil and the Threat of Science (Term Paper Sample) Content: Name:Instructor:Subject:Date:The Existence of Evil and the Threat of Science in Mary Shelleys FrankensteinMary Shelleys Frankenstein is a gothic narrative that portrays the destructive nature of modern knowledge, especially when it is pursued without moral restraints. The creation of the monster by Victor Frankenstein illustrates the destructive powers of unlimited knowledge in the hands of individuals obsessed with scientific adventure and new discoveries. Although the novel is written in the context of early 19th century Europe when horror tales of mythic figures such as ogres and monsters were common elements of Victorian literature, Frankenstein mirrors the modern society in terms of its obsession with science and technology. In addition, the novel portrays mankinds morally rotten condition by alluding to the fall of Adam and the origin of sin. At the same time, Frankensteins monster draws a parallel with Satans rebellion against his creator. The novel raises a p hilosophical question on Satans justification to rebel against God. In consistence with gothic tales and visual portrayal of the devil, Satan is presented as an ugly creature like the monster that Frankenstein created. It is possible, therefore, that his evil nature is in agreement with the way God created or intended him to exist. Consequently, Satan is viewed as a victim of Gods plans rather than a villain, just as the monster is a victim of negligence by his creator and exclusion from mainstream society. Of particular interests, however, is the possible allusion to the fall of Adam from Gods favor and subsequent banishment from the Garden of Eden, which implies that the misery mankind suffers today, is a consequence of negligence by his creator. This is symbolized by the monsters metamorphosis into a killer as a result of being neglected and despised by society. This logic justifies the existence of evil in two ways. First, the commission of evil is mankinds way of rebelling agai nst his creator, a protestation against abandonment. Secondly, the novel implies that man is not evil by nature, but a victim of circumstances beyond his control. He is forced to do evil by the hardships he suffer; hunger, disease, natural calamities, and death. These are the evils that corrupt mans character in the same way loneliness and exclusion from mainstream society transformed Victor Frankensteins creation into a cruel monster. In this regard, this essay discusses two major themes in the novel that portray the condition of society today. First, it argues for Gods culpability for the existence of evil and suffering that afflicts society. Secondly, it argues that Shelleys Frankenstein is a portrayal of the doomed fate of modern societys pursuit of scientific discoveries and new technological inventions. Victor Frankensteins obsessive desire to discover the secret of life and create a human-like functioning creature portrays societys clamor for new technological inventions by r elentlessly applying science to develop weapons of mass destruction and experiment with robots. However, Shelley warns, these efforts are doomed to backfire and create more misery for mankind.The possible culpability of God in the existence of evil and suffering in society is captured on the novels title page, where the monster bemoans his miserable condition by questioning Frankensteins decision to create him in the first place. Borrowed from John Miltons Paradise Lost, the monster conceives of himself as sharing the same fate with Adam and Satan; all are tragic figures who have been forced by their creators to survive under miserable and unendurable conditions. Despite his efforts at kindness and gentleness, the monster is shunned by his creator in the same way God abandoned Satan and Adam to the forces of evil. Consequently, the monsters harboring of ill will toward Victor is justified by this abandonment and exclusion from society. Eventually, the monster is forced to become a cruel killer by a society that is hostile to and un-accommodative of his ugly appearance. Perhaps as a justification of his evil deeds, the monster asks his creator:Did I request thee, Maker, from my clay To mould me Man, did I solicit thee From darkness to promote me? (Shelley 1869).These lines correspond with the young Frankenstein's dream of scientific glory and Gods decision to create an archangel to serve under him, both of which backfired. Frankensteins desire to discover the secrets of life and see light and fire prompted him to create a monster that will eventually get out of control and turn against him. Likewise, Gods plan to create an archangel backfired when Lucifer rebelled against his master and became his number one enemy. Accordingly, Satan is perhaps taunting God for being angry with his evil ways. Satan could be telling God that he (God) is to blame for everything that went wrong because he created a creature and then endowed it with the potential to commit evil. Frankenstein's monster reveals the same sentiments when he recounts the miserable conditions under which he was forced to live. He mourns that I, the miserable and the abandoned, am an abortion, to be spurned at, and kicked, and trampled on (Shelley 188). Thus, he shares the same fate with Satan upon his expulsion from heaven. What course could such a creature take other than seeking revenge against those responsible for his miserable existence? This logic provides a basis for interpreting Shelleys as a justification of immorality in society. Shelley seems to place the existence of sin at Gods doorstep. This is because the text presents evil and suffering as part of divine design; they happen either because God allow them to or because he places man is such difficult conditions that he must do evil to survive. The existence of poverty, diseases, natural disasters and hunger provide mankind with acceptable reasons to defy any laws proclaimed by his creator. In Shelleys view, the rel ationship between man and God should proceed along the lines of the social contract theory, whereby man desists from evil as long as God protects him from suffering. The fact that there is so much suffering in society nullifies mans obligation to live according to the will of his creator. The monsters rebellion against Frankenstein-his failure to live up to his creators expectations, is justified under these grounds; after completing his task of creating the monster, he abandoned him to be spurned at, and kicked, and trampled on (Shelley 188). Likewise, God abandoned mankind to suffer and live in misery after banishing Adam and Eve from the Garden of Eden. In this light, Shelley advances the idea that God, by virtue of being the Creator, is responsible for the evil, misery and suffering humanity experiences. Consequently, man has every reason to ask God whether he requested Him, his Maker, to mould me Man, did I solicit thee, from darkness to promote me? (Shelley 1869). Accordingly, man is not responsible to any one, least of all his Creator, to live in accordance with any divine laws. If evil exists, it is Gods problem because he created the conditions that prompt man to break rules. The second theme that Shelley advances is the idea that there is a limit to useful knowledge. ...